Aesthetic Disinterestedness: Art, Experience, and the Self by Thomas Hilgers PDF

By Thomas Hilgers

The inspiration of disinterestedness is usually conceived of as antiquated or ideological. having said that, Hilgers argues that one can't reject it if one needs to appreciate the character of paintings. He claims that an art mostly asks an individual to undertake a disinterested angle in the direction of what it exhibits, and that the impact of such an adoption is that it makes the individual briefly lose the experience of herself, whereas allowing her to gain a feeling of the other. as a result of an artwork’s specific wealth, multiperspectivity, and dialecticity, the engagement with it can't culminate within the building of world-views, yet needs to start up a technique of self-critical pondering, that is a precondition of actual self-determination. eventually, then, the classy event of paintings contains a dynamic means of losing the experience of oneself, whereas gaining a feeling of the other, and of achieving selfhood. In his publication, Hilgers spells out the character of this approach by way of rethinking Kant’s and Schopenhauer’s aesthetic theories in gentle of more moderen advancements in philosophy–specifically in hermeneutics, severe concept, and analytic philosophy–and in the arts themselves–specifically inside movie and function art.

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Aesthetic Disinterestedness: Art, Experience, and the Self (Routledge Studies in Contemporary Philosophy) by Thomas Hilgers


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